Diploma in Bharatanatyam

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Objective

  • To emphasize the essential unity of all true art
  • To work for the recognition of the arts as vital to individual, national, religious and holistic growth
  • To maintain the highest traditions of art and culture in their pristine purity and in conformity with traditions
  • To arrange for the training, research, study, teaching and development of art and science, music, dance-drama, fine arts and Bharatanatyam
  • To impart practical skills in Bharatanatyam as it is manifest today in its traditional form, complemented by appropriate background knowledge and understanding of the art, through a program of training and assessment
  • To lay a holistic foundation either as an element in a liberal education or as a preparation for vocational training in Bharatanatyam or other dance-based careers, integrating the major aspects of the art form, including the movement vocabulary, the experience of performance and an understanding of the relevant music and literature
  • To develop an awareness and appreciation of Bharatanatyam in the context of a wider dance world

Diploma – Semester I

  • Brief knowledge of classical dances of India
  • Brief study of Bharatanatyam dance style
  • Origin of Natya (Natyotpatti) according to Abhinaya Darpanam
  • Brief study of Abhinaya and its four aspects
  • Brief study of Anga, Pratyanga and Upanga
  • Knowledge of the technical terms related to dance
    Swara, Sangeet, Nritta, Nritya, Natya, Laya, Tala, Sam, Matra, Avartana, Adavu, Araimandi, Muzhumandi.
  • Knowledge of the names of Asamyuta Hastas and Samyuta Hastas
  • Knowledge of the names of Shiro, Greeva and Drishtibheda with Shlokas from AbhinayaDarpanam
  • Brief study of Saptatala and knowledge of Aadi Taal, Roopakam and Mishra Chaapu Tala
  • Ability to notate all the Korvais, Jathis, songs and Saralivarisai prescribed in practical syllabus
  • Basic exercises in Bharatanatyam combined with hand, feet, eyes and neck movement
  • Adavus in three speeds
  • Alarippu – one
  • Jathiswaram – one
  • Ability to recite first fourteen lessons of Saralivarisai of Carnatic vocal music
  • Ability to recite and render all the Korvais, Jathis, Songs and Saralivarisai prescribed in practicalSyllabus
  • Brief study of Carnatic Tala system

Diploma – Semester II

  • Introduction of different Schools and Styles of Bharatanatyam dance.
  • Brief knowledge of the repertoire of Bharatanatyam dance.
  • Knowledge of the technical terms related to dance: – Tandava, Lasya, Rasa, Bhava, Sollukattu, Jathi,Korvai, Arudi, Teermanam, Tattakazhi. Sampada, Laya, Avartanam
  • Ability to notate all the Adavus, Jathis, Korvais and songs prescribed in practical syllabus:
    • Adavus in three speeds
    • Alarippu – one
    • Jathiswaram – one
    • Shabdam – one
    • Tillana – one
    • Pushpanjali / Kautuvam / Thirupugazh – any one
Apart from the practical syllabus of semester I

  • Jathiswaram – One
  • Shabdam – One
  • Pushpanjali / Kautuvam/ Thirupugazh – anyone
  • Thillana – One
  • Navarasa
  • Ability to recite and render all the korvais, jathis, songs & Saptatala Alankarams prescribes inpractical syllabus